{"id":656,"date":"2021-10-17T21:41:29","date_gmt":"2021-10-17T19:41:29","guid":{"rendered":"https:\/\/www.elen.krounix.org\/?p=656"},"modified":"2021-10-17T22:06:55","modified_gmt":"2021-10-17T20:06:55","slug":"filles-otages-construction-analogique","status":"publish","type":"post","link":"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/","title":{"rendered":"Filles \/ Otages : construction analogique ?"},"content":{"rendered":"\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp; Fille \/ Otages<\/em>. Aurait-on pu trouver analogie plus brillante&nbsp;? C\u2019est pourtant sans concertation que Camille Laurens et Nina Bouraoui publient ces deux ouvrages de la rentr\u00e9e litt\u00e9raire 2020. Deux auto fictions, deux r\u00e9cits forts, deux questionnements sur la condition f\u00e9minine.<\/p>\n\n\n\n<p>&nbsp;    Qu\u2019est-ce qu\u2019\u00eatre une femme&nbsp;? Voil\u00e0 la trame narrative de ces deux ouvrages. En prenant comme point de d\u00e9part la violence int\u00e9rioris\u00e9e du sexe faible, les deux autrices s\u2019adonnent chacune dans leur style \u00e0 des recompositions fragmentaires de leur existence. Les r\u00e9flexions int\u00e9rieures des deux protagonistes conduisent la lecture, et obligent le lecteur \u00e0 penser, le temps d\u2019un r\u00e9cit, comme une femme.<\/p>\n\n\n\n<p>     Pour les deux personnages, la violence s\u2019exerce \u00e0 travers le langage. Les monologues int\u00e9rieurs, ponctu\u00e9s par les br\u00e8ves interventions au discours direct, sont hant\u00e9s par les assignations \u00e9dict\u00e9es par les hommes. Pour Laurence Barraqu\u00e9, h\u00e9ro\u00efne de <em>Fille<\/em>, les mots du p\u00e8re suffisent \u00e0 ce constat : \u00ab&nbsp;L\u2019unique mot qui te d\u00e9signe ne cesse jamais de souligner ton joug, il te rapporte toujours \u00e0 quelqu\u2019un&nbsp;\u00bb. Le lexique traduit la relation de subordination et \u00e9claire le concept de violence symbolique \u00e9tabli par Bourdieu. Ici, l\u2019h\u00e9ro\u00efne ironise la brutalit\u00e9 des mots qui conduit la r\u00e9flexion de l\u2019ouvrage. La prise de distance humoristique permet donc d\u2019interroger et de red\u00e9finir la conception commune de la \u00ab&nbsp;fille&nbsp;\u00bb. Cette supr\u00e9matie du langage tient \u00e9galement une place de choix dans <em>Otages<\/em>, \u00e0 travers les idiolectes paternalistes adress\u00e9s \u00e0 Sylvie Meyer. Quand ce n\u2019est pas le patron qui l\u2019ass\u00e8ne de surnoms infantilisants, ce sont des policiers qui l\u2019humilient verbalement.<\/p>\n\n\n\n<p class=\"has-text-align-left\">    Ces deux \u0153uvres traduisent donc la captivit\u00e9 d\u2019un sexe et d\u00e9montrent la port\u00e9e universelle de la parole des femmes. Le quotidien des h\u00e9ro\u00efnes se fait \u00e9cho, et leur destin commun prend sa source dans l\u2019exp\u00e9rience traumatique de la perte d\u2019un enfant \u2013 pour Laurence Barraqu\u00e9 \u2013 et celle de l&rsquo;agression sexuelle &#8211; pour Sylvie Meyer.<\/p>\n\n\n\n<p>&nbsp;&nbsp; &nbsp;Mais la r\u00e9action des protagonistes diverge fonci\u00e8rement. L\u00e0 ou Laurence se maintient au fil du r\u00e9cit dans une certaine passivit\u00e9, \u00e0 travers une \u00e9criture r\u00e9flexive, Sylvie Meyer adopte quant \u00e0 elle une tout autre attitude. Cette violence int\u00e9rioris\u00e9e, produite par l\u2019image choc du viol survenu \u00e0 ses quinze ans, va resurgir lors d\u2019un \u00e9v\u00e9nement en apparence anodin. Elle qui \u00e9tait jusqu\u2019\u00e0 alors prisonni\u00e8re de sa condition va inverser la tendance le temps d\u2019un instant&nbsp;: celui de la prise d\u2019otage de son patron. Le retour du refoul\u00e9 s\u2019exerce donc \u00e0 travers ce renversement temporaire du rapport de force&nbsp;: \u00ab&nbsp;Pour une fois, j\u2019avais le pouvoir, et en plus je pouvais en user.&nbsp;\u00bb L\u2019h\u00e9ro\u00efne reprend prise sur son existence, et reconstruit son identit\u00e9 de femme par l\u2019acte de r\u00e9volte.<\/p>\n\n\n\n<p>    On comprend donc toute l\u2019importance de cette multiplication des voix f\u00e9minines, qui viennent compl\u00e9ter un corpus de plus en plus foisonnant. A leurs c\u00f4t\u00e9s, diff\u00e9rentes th\u00e9matiques sont abord\u00e9es&nbsp;: la question du consentement chez Vanessa Springora, celui de la culpabilit\u00e9 familiale chez Camille Kouchner ou encore celui des existences f\u00e9minines brim\u00e9es dans le r\u00e9cit choral <em>Les impatientes <\/em>de Dja\u00efli Amadou Amal. Mais, toutes ont en commun cette volont\u00e9 de combattre une soci\u00e9t\u00e9 patriarcale et d\u2019accompagner la lib\u00e9ration de la parole des femmes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp; Fille \/ Otages. Aurait-on pu trouver analogie plus brillante&nbsp;? C\u2019est pourtant sans concertation que Camille Laurens et Nina Bouraoui publient ces deux ouvrages de la rentr\u00e9e litt\u00e9raire 2020. Deux auto fictions, deux r\u00e9cits forts, deux questionnements sur la condition f\u00e9minine. &nbsp; Qu\u2019est-ce qu\u2019\u00eatre une femme&nbsp;? Voil\u00e0 la trame narrative de ces deux ouvrages. En &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/\"> <span class=\"screen-reader-text\">Filles \/ Otages : construction analogique ?<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"categories":[8],"tags":[],"series":[],"ppma_author":[28],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.7.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Filles \/ Otages : construction analogique ? - Le Roman actuel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filles \/ Otages : construction analogique ? - Le Roman actuel\" \/>\n<meta property=\"og:description\" content=\"&nbsp;&nbsp;&nbsp;&nbsp; Fille \/ Otages. Aurait-on pu trouver analogie plus brillante&nbsp;? C\u2019est pourtant sans concertation que Camille Laurens et Nina Bouraoui publient ces deux ouvrages de la rentr\u00e9e litt\u00e9raire 2020. Deux auto fictions, deux r\u00e9cits forts, deux questionnements sur la condition f\u00e9minine. &nbsp; Qu\u2019est-ce qu\u2019\u00eatre une femme&nbsp;? Voil\u00e0 la trame narrative de ces deux ouvrages. En &hellip; Filles \/ Otages : construction analogique ? Lire la suite\u00a0\u00bb\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Roman actuel\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-17T19:41:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-17T20:06:55+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Paola Malgorn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.elen.krounix.org\/#website\",\"url\":\"https:\/\/www.elen.krounix.org\/\",\"name\":\"Le Roman actuel\",\"description\":\"Master \\u00c9critures, Lettres &amp; \\u00c9ditions Num\\u00e9riques (ELEN)\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.elen.krounix.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/#webpage\",\"url\":\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/\",\"name\":\"Filles \/ Otages : construction analogique ? - Le Roman actuel\",\"isPartOf\":{\"@id\":\"https:\/\/www.elen.krounix.org\/#website\"},\"datePublished\":\"2021-10-17T19:41:29+00:00\",\"dateModified\":\"2021-10-17T20:06:55+00:00\",\"author\":{\"@id\":\"https:\/\/www.elen.krounix.org\/#\/schema\/person\/74655c2cb0e37d2e23364bf9e4950421\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.elen.krounix.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Filles \/ Otages : construction analogique ?\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.elen.krounix.org\/#\/schema\/person\/74655c2cb0e37d2e23364bf9e4950421\",\"name\":\"Paola Malgorn\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.elen.krounix.org\/#personlogo9815a2a3e4baad1a0a02e99f0ead2a68\",\"inLanguage\":\"fr-FR\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8c46d65091302da7267843faf5a16ab9?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8c46d65091302da7267843faf5a16ab9?s=96&d=identicon&r=g\",\"caption\":\"Paola Malgorn\"},\"url\":\"https:\/\/www.elen.krounix.org\/index.php\/author\/pmalgorn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Filles \/ Otages : construction analogique ? - Le Roman actuel","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.elen.krounix.org\/index.php\/2021\/10\/17\/filles-otages-construction-analogique\/","og_locale":"fr_FR","og_type":"article","og_title":"Filles \/ Otages : construction analogique ? - Le Roman actuel","og_description":"&nbsp;&nbsp;&nbsp;&nbsp; Fille \/ Otages. Aurait-on pu trouver analogie plus brillante&nbsp;? C\u2019est pourtant sans concertation que Camille Laurens et Nina Bouraoui publient ces deux ouvrages de la rentr\u00e9e litt\u00e9raire 2020. Deux auto fictions, deux r\u00e9cits forts, deux questionnements sur la condition f\u00e9minine. &nbsp; Qu\u2019est-ce qu\u2019\u00eatre une femme&nbsp;? Voil\u00e0 la trame narrative de ces deux ouvrages. En &hellip; Filles \/ Otages : construction analogique ? 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